His braying tenor sax tone earned J.T. Brown the dubious distinction of being told his horn sounded like a "nanny goat." That didn't stop the likes of Elmore James from hiring Brown for some of his most important sessions for Meteor and Modern, though; Brown's style was truly distinctive.
Mississippi-born John T. Brown was a member of the Rabbit Foot Minstrels down south before arriving in the Windy City. By 1945, Brown was recording behind pianist Roosevelt Sykes and singer St. Louis Jimmy Oden, later backing Eddie Boyd and Washboard Sam for RCA Victor.
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