It is possible to call John Zorn a "jazz" musician, but that would be much too limiting a description. While jazz feeling is present in a good deal of his work, and the idea of improvisation is vitally important to him, Zorn doesn't operate within any idiom's framework, drawing from just about any musical, cultural, or noise source that a fellow who grew up in the TV and LP eras could experience. This eclecticism gone haywire can result in such wildly jump-cutting works as Spillane, whose plethora of diverse and incompatible styles makes for a listening experience akin to constantly punching the station buttons on a car radio.
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